This web site, dedicated to Jean Muir, includes a collection of press cuttings and other information celebrating the life of one of Britain's greatest fashion designers.
Lots more information can be found in the Jean Muir Archive at: National Museums Scotland.
Bowing out with grace, like the woman herself
Hilary Alexander, Fashion Director, The Daily Telegraph
They say husbands accompanying their wives at the Jean Muir store in Conduit Street, London, are amazed to be offered a Beck's beer and the day's newspapers to read while the all-important business of shopping for a wardrobe goes on.
It certainly does not seem the kind of service you might be offered in either the modernist Brit-brand shop, PPQ, on one side or the garish, rock'n'roll fashion emporium emblazoned with the slogan Voyage Directed by Rocky and Tatum, on the other.
Jean Muir, is, after all, an elegant anachronism in a celebrity-obssessed world; one which that world perhaps no longer deserves.
Harry Leuckert, for 12 years the keeper of the Jean Muir flame, reveals, almost apologetically, that he did once copyright the name Pure Muir for the first Jean Muir perfume — but never took it any further.
Perhaps it is for the best. Jean Muir abhorred the cult of branding; in fact, Joanna Lumley, her first house model, muse, close friend and loyal customer, cannot remember her wearing perfume. "She even hated the smell of oranges."
Jean Muir refused to call herself a fashion designer; by far preferring the word dressmaker, with its notions of craft and technique.
The collections, modelled in stately fashion to the music of American cabaret singer Bobby Short, stuck strictly to the Miss Muir line — a subdued palette of black, navy, chocolate and beige and then the clash of neon yellow, shocking pink or an abstract pop art motif.
It was the clash which astounded; very much like Miss Muir herself — rigorously disciplined, fiercely proud of her Celtic, Scots-northern roots, but luxuriating in being able to sketch in bed in her all-white "snow and ice" bedroom, furnished with 19th century Venetian cut glass sofa and chairs originally made for the Nizam of Hyderabad.
As Lumley remembered yesterday: "Jean Muir was the creative power, she was her clothes. Like Coco Chanel she embodied the personal style her label and her name represented, the two were inseparable. She was never a product."
The spring/summer 2007 collection is sure to become collectors' items, just as the early dresses and coats are now sought after in cult vintage stores in London and Los Angeles.
Miss Muir would have liked the thought of her work being treasured. But she would have hated to think of it being translated into a 101 franchises. "I think it is brave to stop now," Lumley said. "It's a most graceful and elegant way to do it — discreetly, just like Jean herself."